by What Movies Does Pink Like? Analyzing Her Taste in Cinema
While Pink is famously private about her personal life, she shares plenty about herself through her music and public persona. Over the past two decades, she’s crafted a rebellious image that challenges expectations and speaks truth to power. Her songs tackle topics like feminism, relationships, mental health, and more with raw honesty and empowering messages. Through it all, Pink has stayed true to herself while continually reinventing her sound.
So what kind of movies might resonate with an artist like Pink? It’s impossible to say for certain without directly asking her, but we can analyze clues from her career and speculate on genres she could enjoy or dislike based on her established brand. In this article, we’ll break down three types of films Pink may not be drawn to as well as three she possibly likes more.
Glitz and Glam Rom-Coms
The carefree romantic comedy where a quirky leading lady finds love with a handsome stranger probably doesn’t appeal much to Pink. Her music and image often challenge stereotypical notions of femininity. Songs like “Perfect” and “Raise Your Glass” celebrate embracing one’s flaws and individuality rather than conforming to unrealistic beauty standards.
Rom-coms that rely on tired tropes about a woman needing a man to complete her or finding happiness through romance may ring hollow. Pink presents herself as a strong, independent woman who doesn’t need a romantic partner for fulfillment. Her lyrics focus more on self-empowerment than chasing relationships.
Films in this genre also tend to gloss over real-world issues for a saccharine happy ending. But Pink tackles weighty subjects like anxiety, divorce, and body image struggles head-on in her art. She seems like the type who would find rom-com scenarios too simplistic compared to her no-holds-barred approach. The shallow characterizations probably wouldn’t hold her interest.
Horror Films
Pink has openly admitted being afraid of the dark since childhood. As an anxious person herself, she may not enjoy horror’s aim to induce fear and panic in viewers. Much of the genre relies on cheap jump scares and gore rather than true psychological terror or social commentary.
Her music videos incorporate some spooky elements at times but in a campy, self-aware way rather than for shock value alone. Songs like “Boo!” and “Try” use horror themes as metaphors rather than attempting to genuinely scare listeners. She seems to prefer putting a fun, irreverent spin on dark subject matter rather than going for outright scares.
While Pink has proven she can handle intense roles, like her gut-wrenching performance in “Beautiful Trauma,” horror films may activate her fears without higher meaning. Their primary goal is visceral fright rather than insight. She strikes one as the type who would find them an anxiety-inducing experience rather than entertainment.
Slow Burn Arthouse Films
With her fast-paced pop-rock anthems, Pink comes across as someone who values energy, emotion, and saying things straightforwardly rather than obliquely. Arthouse films that rely heavily on symbolism, ambiguity, and a leisurely pace may not suit her tastes.
Her songs are designed more for sing-alongs and dancing than deep interpretation. Lyrics tend to clearly address their subject matter rather than leaving much room for analysis. Pink seems to prefer putting feelings out there directly in a way everyone can understand rather than expecting decryption from viewers.
Arthouse cinema’s slow unfolding of plot and emphasis on atmosphere over action could bore rather than engage someone accustomed to Pink’s in-your-face style. She strikes one as valuing clarity and catharsis above drawn-out ruminations. While arthouse films provide food for thought, they may not satisfy Pink’s penchant for bold self-expression through entertainment.
Action Films
If pressed to guess, action movies seem a safer bet for Pink’s tastes. Her music videos often feature daring stunts and choreography she performs herself. She clearly enjoys pushing physical boundaries as seen in aerial performances of “Try” and “Walk Me Home.”
Pink’s rebellious persona also meshes well with action’s emphasis on defying odds and authority through bravery, skill, and rule-breaking. Songs like “Blow Me (One Last Kiss)” and “Raise Your Glass” celebrate sticking it to The Man in her own style. Action heroines like those in Charlie’s Angels or Atomic Blonde likely appeal to her taste for empowered women taking names.
The adrenaline and visual spectacle of big-budget action flicks probably hold Pink’s attention where slower arthouse fare may lose it. Complex fight sequences or death-defying car chases provide an energy match for her high-octane live shows and dance-pop anthems. Action allows Pink to tune in for excitement, empowerment, and impressive feats without deep interpretation required.
Biopics
Given her candid discussions of mental health struggles, divorce, and body image issues through music, Pink seems drawn to raw authenticity above all. Biopics deliver real-life stories of triumph over adversity—themes central to many of her songs. Films like Bohemian Rhapsody, Rocketman, and A Beautiful Mind portray the messy humanity behind iconic figures.
Pink’s willingness to bare her soul through vulnerability anthems like “What About Us” indicates an interest in exploring the interior lives of others. Biopics provide a way to do so through the lives of inspiring cultural icons. They also satisfy her interest in strong female characters by spotlighting trailblazers like Harriet Tubman in Harriet or Aretha Franklin in Respect.
While biopics can vary widely in tone and pace, Pink’s connection to themes of resilience in the face of mental health battles suggests she finds their depictions of the human experience compelling. They allow her to learn about remarkable people in an emotionally engaging way aligned with how she shares her own journey through music.
Comedies
Pink’s lively, fun-loving personality shown in interviews and her playful social media presence hints that comedy tops her movie preferences. Her songs manage to blend levity with heavier topics through sharp wit. Tracks like “Funhouse” and “So What” use humor to shrug off criticism with style.
Comedies allow Pink an escape from life’s pressures through laughter. They match her tendency to find lightness even in darkness. Movies like Bridesmaids, The Hangover, or Booksmart likely appeal through their unabashed silliness and celebration of female friendship—subjects close to Pink’s heart.
Energetic, unapologetic comediennes like Melissa McCarthy or Amy Poehler also align with Pink’s rebellious spirit. Their refusal to take themselves too seriously parallels Pink’s playful public persona that simultaneously challenges norms. Comedies provide Pink comic relief and role models reflecting her empowered, irreverent approach to life.
Documentaries
With her habit of candidly addressing social issues through music, Pink shows an interest in complex nonfiction storytelling too. Documentaries provide real perspectives on weighty topics versus fictionalized takes. Films spotlighting LGBTQ rights like The Death and Life of Marsha P. Johnson or mental health like Quiet Storm likely resonate due to Pink’s advocacy in these areas.
Documentaries also satisfy Pink’s curiosity without frills. She seems drawn more to substance than style alone based on using her platform for social commentary. Nonfiction films deliver information to chew on versus escapism. Subjects close to Pink’s heart like body positivity, women’s rights, or the music industry have all inspired documentaries that could pique her interest.
While documentaries vary in tone, Pink’s no-nonsense approach hints she connects with their unvarnished looks at pressing issues. They provide insight to learn from versus being purely entertained. Nonfiction cinema matches Pink’s desire to both challenge and educate audiences as seen through her music’s thematic depth.
In conclusion, while Pink keeps her personal tastes private, analyzing her bold public persona and the messages in her music provides clues to the types of movies she may enjoy most. Action, comedy, biopics, and documentaries seem natural fits based on their emphasis on empowerment, authenticity, social commentary, and emotional engagement versus superficiality. Of course, Pink likely appreciates many genres when the content resonates. But these film types arguably align closest with her established brand and interests shown through two decades in the spotlight.
